Saturday, September 28, 2024

Masters of Photography: Pep Ventosa

Pep Ventosa Image
New York Skyline image by Pep Ventosa
Every once in a while, I encounter an artist who is so unique that their style is unmistakable. As a guitarist, I can listen to just a single phrase from a guitarist like Jerry Garcia, even if its from a song I’ve never heard, and know it’s him. How does someone, with all the millions of artists out there, create such a distinct and original style? Well, photography is no different. And recently I encountered a photographer whose style was so distinct that I have never seen anyone like him.

This photographer is Pep Ventosa.

Background

Born in Spain in 1957, Pep Ventosa is a photographer whose innovative style has garnered international awards. His trademark technique involves taking multiple exposures of a subject and overlaying them carefully in a way that creates an impressionistic result that is full of movement and life. He often uses iconic subjects, such as the Eiffel Tower or the Golden Gate Bridge. But some of my favorite images of his are of things less dramatic and more in tune with the every day. His series, Trees in the Round, were the works I was originally drawn to. And when I first encountered them, I knew it was a technique I wanted to try for myself.

Style Analysis

Creative Multiexposure Photography
Red Tree in the Round

As with my previous examination of inspirations such as Alexey Titarenko and Trent Parke, I wanted to take Ventosa’s style and see how I could put my own spin on it. But this multiexposure technique is not easy and quite time consuming. To get a single final image, you must take dozens of photos, edit each of them separately then painstakingly overlay them. Nothing in the final result is random and if you don’t pay careful attention to detail, this style can quickly get away from you and start to look messy. I found when going about my hometown looking for subjects for this style of shot, that it takes a different eye to imagine what might work, and I admit that quite a few of my attempts fell on their faces. Some of them, however, I felt quite happy with and I thought the result provided exactly that thing I’ve been looking for with my photography, which are images that stand apart as something different, something that could not have been a mere snapshot taken by anyone with the camera on their phone. Let me know which of these, if any, you like in the comments.

Conclusion

Pep Ventosa is a master. His images are unique and unmistakable. They’re beautiful, intriguing, groundbreaking. For me, they represent the best side of digital photography. He doesn’t create something fake that never existed, but instead presents familiar scenes in a way they’ve never been experienced before. When you see one of his images, you know exactly who created it. It’s either Pep Ventosa or someone like me, trying to emulate his technique but never quite rising to the same level….

Check out my video with a how-to demonstration of Pep Ventosa's technique:



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Sunday, September 22, 2024

My Best Night of Photographing the Northern Lights

Northern lights in Alaska
Aurora over Seward, Alaska
I’m alone on a forgotten beach. A bitter North wind gropes with frozen filaments. The ocean nearby, invisible, is a pool of ink like a portal to nowhere. Sea swells plunge into the sand with a gush and growl. A gibbous moon paints the mountain skirts in icy blue light.

But my gaze is fixed skyward. The night air is crystal clear, alive with electricity. Dancing auroras erupt across the tapestry of stars and galaxies. The most spectacular display I’ve ever seen.

All the elements collide—violent coronal storm, cloudless black skies, fierce magnetic forces—to bring this moment. This is a night when myth is born, a perfect confluence that may have no sequel. Manic with my camera, I rush from composition to composition. Each image on my screen makes me want to cry. The best photos of my life.

Yet, suddenly, I stop. This moment deserves something better. I topple to my back in the sand, unfeeling of the cold and the wind, and stare up as the sky delivers its most unearthly show. 

I am humbled. I am nothing. Spears of green and red build and wobble. Plasma vortices writhe and dance. A corona circle, like the eye of a fierce cosmic god, forms above me, gazing down from the heavens. On this deserted beach, this show is only for me. Never before, I realize, have I truly experienced the northern lights. I may never again.

Tonight is legend.


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Copyright notice: This website and all its contents are the intellectual property of Brian Wright Photography. None of the content can be used or reproduced without expressed written approval.

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Sunday, September 15, 2024

Four Photographers Who Inspire Me (Trent Parke, Fan Ho, Todd Hido & Alexey Titarenko)

Alexey Titarenko inspired street photo
Multi-exposure street photography
Four photographers that inspire me to branch out from landscape photography are Trent Parke, Fan Ho, Alexey Titarenko and Todd Hido. Trent Parke's work, The Black Rose, gave me the idea to undertake my own street photography and art photography project that tells the human story of Alaska, not just about the natural beauty but the people who live in and visit it.

Fan Ho's incredible black and white photography helped me to start looking for contrasts, shapes and shadows.

Alexey Titarenko's work, City of Shadows, inspired me to take long exposures of groups of people or things that people were driving.

Todd Hido's moody work using liminal spaces and atmosphere and mood were crucial in helping me envision a new type of possibility in urban and landscape photography.

Join me as I examine the work of these four incredible photographers and try to imitate and apply their styles, twisting their ideas into my own and using them as a jump off point to create something new.

Watch the video here:



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---------------------------------------------------------------

Visit THE ARCHIVE: A list of most of my articles and posts sorted by category

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Copyright notice: This website and all its contents are the intellectual property of Brian Wright Photography. None of the content can be used or reproduced without expressed written approval.

For information about how to contact us, visit this link