Showing posts with label fine art photography. Show all posts
Showing posts with label fine art photography. Show all posts

Saturday, September 28, 2024

Masters of Photography: Pep Ventosa

Pep Ventosa Image
New York Skyline image by Pep Ventosa
Every once in a while, I encounter an artist who is so unique that their style is unmistakable. As a guitarist, I can listen to just a single phrase from a guitarist like Jerry Garcia, even if its from a song I’ve never heard, and know it’s him. How does someone, with all the millions of artists out there, create such a distinct and original style? Well, photography is no different. And recently I encountered a photographer whose style was so distinct that I have never seen anyone like him.

This photographer is Pep Ventosa.

Background

Born in Spain in 1957, Pep Ventosa is a photographer whose innovative style has garnered international awards. His trademark technique involves taking multiple exposures of a subject and overlaying them carefully in a way that creates an impressionistic result that is full of movement and life. He often uses iconic subjects, such as the Eiffel Tower or the Golden Gate Bridge. But some of my favorite images of his are of things less dramatic and more in tune with the every day. His series, Trees in the Round, were the works I was originally drawn to. And when I first encountered them, I knew it was a technique I wanted to try for myself.

Style Analysis

Creative Multiexposure Photography
Red Tree in the Round

As with my previous examination of inspirations such as Alexey Titarenko and Trent Parke, I wanted to take Ventosa’s style and see how I could put my own spin on it. But this multiexposure technique is not easy and quite time consuming. To get a single final image, you must take dozens of photos, edit each of them separately then painstakingly overlay them. Nothing in the final result is random and if you don’t pay careful attention to detail, this style can quickly get away from you and start to look messy. I found when going about my hometown looking for subjects for this style of shot, that it takes a different eye to imagine what might work, and I admit that quite a few of my attempts fell on their faces. Some of them, however, I felt quite happy with and I thought the result provided exactly that thing I’ve been looking for with my photography, which are images that stand apart as something different, something that could not have been a mere snapshot taken by anyone with the camera on their phone. Let me know which of these, if any, you like in the comments.

Conclusion

Pep Ventosa is a master. His images are unique and unmistakable. They’re beautiful, intriguing, groundbreaking. For me, they represent the best side of digital photography. He doesn’t create something fake that never existed, but instead presents familiar scenes in a way they’ve never been experienced before. When you see one of his images, you know exactly who created it. It’s either Pep Ventosa or someone like me, trying to emulate his technique but never quite rising to the same level….

Check out my video with a how-to demonstration of Pep Ventosa's technique:



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Sunday, September 15, 2024

Four Photographers Who Inspire Me (Trent Parke, Fan Ho, Todd Hido & Alexey Titarenko)

Alexey Titarenko inspired street photo
Multi-exposure street photography
Four photographers that inspire me to branch out from landscape photography are Trent Parke, Fan Ho, Alexey Titarenko and Todd Hido. Trent Parke's work, The Black Rose, gave me the idea to undertake my own street photography and art photography project that tells the human story of Alaska, not just about the natural beauty but the people who live in and visit it.

Fan Ho's incredible black and white photography helped me to start looking for contrasts, shapes and shadows.

Alexey Titarenko's work, City of Shadows, inspired me to take long exposures of groups of people or things that people were driving.

Todd Hido's moody work using liminal spaces and atmosphere and mood were crucial in helping me envision a new type of possibility in urban and landscape photography.

Join me as I examine the work of these four incredible photographers and try to imitate and apply their styles, twisting their ideas into my own and using them as a jump off point to create something new.

Watch the video here:



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---------------------------------------------------------------

Visit THE ARCHIVE: A list of most of my articles and posts sorted by category

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Copyright notice: This website and all its contents are the intellectual property of Brian Wright Photography. None of the content can be used or reproduced without expressed written approval.

For information about how to contact us, visit this link

Sunday, August 14, 2022

The Magic of Long Exposure: Capturing Movement in a Still Image

At Hogwarts, in the world of Harry Potter, still images come alive with movement. However, most of us are muggles and our photographs must seem dull and boring compared to those wizards. Lucky for us, there is another way to infuse motion (or at least the impression of it) into a still photograph. That secret magic is long exposure....

Long exposure is created by opening the shutter for long periods of time. Whether it's "short" long exposure, like one-sixth of a second (just long enough to give a pleasing blur to moving creeks or ocean waves), or long long exposure that can last for several minutes or more, this technique creates images that have that mystic and ethereal quality that I have come to love in photography.

Long exposure came to me at a time when I was reaching a stagnation point. I felt like I was going to the same locations and taking the same compositions over and over. Discovering long exposure, however, opened my mind to a whole realm of possibilities and I've been scurrying about to all the familiar locations with fresh ideas ever since. Here is a sample of images I have created since discovering a passion for long exposure. Which of these images are your favorites? What do you think of long exposure? I would love to hear your feedback and criticism in the comments.






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All the Light We Cannot See: Capturing the Hidden World of Infrared

 

Lying just beyond the electromagnetic spectrum detectable by the human eye is the infrared.

In my search for new ways to create images unlike any I'd ever made before, I stumbled on infrared photography after watching a Youtube video by one of my favorite internet photographers, Thomas Heaton. Images of dark black skies with white foliage astounded me in their ability to take the familiar and shift it just enough to make a viewer pause and reconsider the common things, like trees and clouds, in a whole new way. Later, I came on other infrared photographers like Shelley Vandegrift and Laurie Klein that were taking infrared into places so intriguing and beautiful that I felt compelled to try to learn

Infrared photography is challenging. Though it has the ability to give your images that extra umpf to make it unique and special, it is quite counterintuitive and it takes time to learn how to spot a composition that works in a spectrum your eyes cannot see. Also, becuase this light is invisible, a great deal of post processing is required in order to create these spectacular images that we, as humans with our limited range of sight, can enjoy.

So here are a few images from my early attempts at playing around with infrared. Some are pure infrared and some are blends with parts of photographs taken in regular light mixed in Photoshop. As always, I love hearing feedback and comments in the comment section.




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Visit THE ARCHIVE: A list of most of my articles and posts sorted by category

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Copyright notice: This website and all its contents are the intellectual property of Brian Wright Photography. None of the content can be used or reproduced without expressed written approval.

For information about how to contact us, visit this link